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Samhain Presentations of Research
November 23, 2020 at 9:00 am - November 26, 2020 at 5:00 pm
The Irish World Academy is home to over 40 postgraduate research students, the vast majority of whom engage in PhD research. Some researchers are completing projects with traditional, text-based outputs while others are registered on the PhD in Arts Practice. While students on the PhD in Arts Practice produce text-based research outputs, their work specifically includes aspects of practice. The work of both groups of researchers reflects the whole range of expertise represented in the Academy and beyond. Once a year, the work of this exceptionally rich research community is showcased in a series known as Samhain.
Please register – https://www.eventbrite.ie/e/samhain-presentations-of-research-tickets
Links to each session will be sent on Friday the 20th of November 2020
Date | Student | Working Title of PhD |
Monday 23rd of November | ||
Session 1 | ||
2pm | Kevin McNally | The production of place through cross cultural music-making. |
2.20pm | Roxy Theobald | Floetic Inner Lines: A Cultural Inquiry of a Diaspora Trajectory through Dance Performance. |
2.40pm | JJ Riordan | Orchestrating the Sonic Banal: Utilising Computer Based Digital Audio Workstations (D.A.W.s) to Manipulate the Sounds of Everyday Objects, Places and Spaces to Compose Musical Works. |
3pm | John Nutekpor | An Arts Practice Exploration of Ghanaian-Irish Cultural Dialogue, through Music and Dance Pedagogy, Curation and Performance. |
Tuesday 24th of November | ||
Session 2 | ||
9.40am | Ian O’Connor | An Exploration of Current and Evolving Perceptions of Musical ‘Liveness’ within Competitive Irish Stepdance. |
10am | Morgan Senter | Irish Set Dancing for Parkinson’s Disease: Ethnochoreological Perspectives on Community-Based Programme Implementation and Sustainability. |
Tuesday 24th of November | ||
Session 3 | ||
11am | Marie Glynn | An Exploration of the Experiences of Music Therapists and other Healthcare Professionals of Integrating Music Therapy Services into Organisations for People with Intellectual Disabilities. |
11.20am | PiuSze Cheung | Music and Perinatal Wellbeing: An investigation on the role of music and music therapy in supporting health and wellbeing during the perinatal period. |
11.40am | Sophie Lee | An Investigation into the Effect of Group Singing and Group Drumming on the Wellbeing and Cognition of Persons with Early-Stage Alzheimer’s Disease and Their Carers. |
12noon | Katie Fitzpatrick | A mixed methods exploration of the use of individual and group music therapy for adults with chronic pain. |
Tuesday 24th of November | ||
Session 4 | ||
2pm | Claire Watts | An Exploration of New Creative Processes and the Reshaping of Songwriting Practice. |
2.20pm | Cormac Byrne | Composition, Improvisation, Collaboration: Navigating Creative Bodhrán Performance. |
2.40pm | Niamh O’Brien | What Lies Beneath the Tide: Sonic Deep Mapping and The Shannon. |
3pm | Eugene Murphy | Unravelling the Frontiers of Artistic Collaboration: An Intra-/Inter-Disciplinary Exploration of Indeterminancy in Composition. |
Wednesday 25th of November | ||
Session 5 | ||
9am | Anthony Cahill | Caoineadh nó Ceiliúradh? Examining the Values of Song-Based Slow Airs Held by Irish Traditional Musicians. |
9.20am | Fiana Ni Chonail | How do Small and Medium Traditional Irish Music Festivals Act as a Catalyst for Tourism in Rural Areas? |
10am | Kara O’Brien | May She Live to Run Again: Perceptions of Gender and Class in Irish Traditional Hunting Songs Through the Long 19th Century to the Present. |
Wednesday 25th of November | ||
Session 6 | ||
11am | Avril McLoughlin | Bridging the Gap Between Theory and Practice: teaching music theory to Irish traditional musicians. |
11.20am | Boris Hunka | Can duo musical improvisation be positively enhanced by practices developed to foster relational connection in talk therapies? |
11.40am | Colm Kelly | Musical Identity: Examining the formation and development of the identity of musicians from a social identity perspective. |
Wednesday 25th of November | ||
Session 7 | ||
2pm | Chelsea Zimmerman | An Exploration of the Social, Technological, and Artistic Context of Irish Music in Early 20th Century New York City |
2.20pm | Pamela Cotter | An Examination of Festivity and the Traditional Arts in Contemporary Practice. |
2.40pm | Caoimhe Ryan | The Role of Notation in the Performance of Classical Music within a Contemporary Context – an ethnographic approach |
3pm | Clare Egan | The Art of Phrasing – An Arts Practice examination in traditional Irish Violin Performance. |
Thursday 26th of November | ||
Session 8 | ||
9am | Phoebe Brown | The Potential for Perceptible Process: An Exploration of the Interconnections between Differential Equations (Des) and Contemporary Dance Choreography. |
9.20am | Kelsey Schuhle | Decluttering the Dance: An Exploration of the Choreographic Process. |
9.40am | Sean MacLeod | An arts practice investigation of neo-liberal ideologies in relation to music, performance and the arts through an exploration of a ‘threefold social organism’ and the relation to the individual and community. |
Thursday 26th of November | ||
Session 9 | ||
11am | Simeon Smith | An arts practice investigation concerning the effects of regular community music workshops on the educational attainment of primary school children in inner city Dublin. |
11.20am | Iarla O’Lionard | Aphelion: A Performative Investigation at the Far Borders of Irish Music |
Please note that times are subject to change. |